{"id":22128,"date":"2026-05-30T21:20:42","date_gmt":"2026-05-30T21:20:42","guid":{"rendered":"https:\/\/eclipses.eu\/?page_id=22128"},"modified":"2026-05-30T21:22:08","modified_gmt":"2026-05-30T21:22:08","slug":"fotografia-krajobrazowa-w-kanionach-usa","status":"publish","type":"page","link":"https:\/\/eclipses.eu\/index.php\/home\/warsztaty-fotografii-krajobrazowej\/fotografia-krajobrazowa-w-kanionach-usa\/?lang=it","title":{"rendered":"Fotografia paesaggistica nei canyon degli Stati Uniti"},"content":{"rendered":"<!-- SEO META DATA SEO Title: Fotografia paesaggistica nei canyon degli Stati Uniti Meta Description: Come fotografare canyon e canyon a fessura negli Stati Uniti? Consigli pratici su luce, composizione, meteo, attrezzatura e workshop fotografici nell\u2019Ovest americano. Focus Keyword: fotografia paesaggistica nei canyon degli Stati Uniti Suggested Slug: fotografia-paesaggistica-canyon-stati-uniti --><\/p>\n<article>\nI canyon dell\u2019Ovest americano appartengono ai luoghi pi\u00f9 spettacolari al mondo per la fotografia paesaggistica. Pareti rocciose monumentali, luce del deserto, spazi immensi e una geologia straordinaria fanno s\u00ec che ogni giornata fotografica sia diversa. Sono paesaggi capaci di affascinare sia chi fotografa negli Stati Uniti per la prima volta, sia i fotografi che vi tornano da molti anni.<\/p>\n<p>La fotografia paesaggistica nei canyon degli Stati Uniti richiede per\u00f2 qualcosa di pi\u00f9 di una buona fotocamera. Contano la luce, l\u2019ora del giorno, il meteo, la conoscenza del terreno e la pazienza. In luoghi come Bryce Canyon, Zion, Grand Canyon, Canyonlands o Monument Valley, le condizioni cambiano rapidamente, e le migliori fotografie nascono molto spesso quando il fotografo comprende il paesaggio, invece di reagire soltanto a ci\u00f2 che vede davanti a s\u00e9.<\/p>\n    <script>if (typeof reacg_data === \"undefined\") { var reacg_data = {}; } reacg_data[22141] = 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data-plugin-version=\"1.20.2\"         data-gallery-timestamp=\"1780175923790\"         data-options-timestamp=\"\"         data-gallery-id=\"22141\"><\/div>\n<h2>Perch\u00e9 i canyon degli Stati Uniti sono eccezionali per i fotografi?<\/h2>\n<p>I canyon americani offrono una straordinaria variet\u00e0 di forme paesaggistiche. In poco tempo si possono fotografare pareti rocciose monumentali, pianure desertiche, archi naturali, valli profonde, formazioni di arenaria e spazi aperti dalla geometria quasi astratta.<\/p>\n<p>Sono luoghi in cui la luce ha un\u2019enorme importanza. L\u2019alba e il tramonto possono cambiare completamente il colore delle rocce e il carattere del paesaggio. I rossi, gli arancioni e le tonalit\u00e0 dorate dell\u2019arenaria reagiscono alla luce in modo molto dinamico. Lo stesso punto panoramico pu\u00f2 apparire completamente diverso al mattino, alla sera o dopo il passaggio di un temporale.<\/p>\n<h2>I canyon e i parchi pi\u00f9 fotografici degli Stati Uniti<\/h2>\n<h3>Bryce Canyon<\/h3>\n<p>Bryce Canyon \u00e8 uno dei luoghi pi\u00f9 caratteristici per la fotografia paesaggistica negli Stati Uniti. I famosi hoodoos, cio\u00e8 pinnacoli rocciosi, creano un paesaggio che ricorda un anfiteatro naturale.<\/p>\n<p>La luce migliore compare di solito all\u2019alba, quando i primi raggi del sole iniziano a illuminare le rocce da est. Fotografare a Bryce Canyon richiede lavoro con gli strati del paesaggio, il ritmo delle formazioni rocciose e la profondit\u00e0 dell\u2019immagine.<\/p>\n<h3>Zion National Park<\/h3>\n<p>Zion offre un tipo di fotografia completamente diverso. Qui il paesaggio \u00e8 pi\u00f9 verticale, monumentale e chiuso. Le valli strette, le alte pareti rocciose e il contrasto tra luce e ombra rendono la composizione particolarmente importante.<\/p>\n<p>\u00c8 un luogo eccellente per imparare a lavorare con uno spazio limitato e a fotografare la luce riflessa dalle rocce.<\/p>\n<h3>Grand Canyon<\/h3>\n<p>Il Grand Canyon \u00e8 immenso e fotograficamente difficile proprio per la sua scala. I fotografi principianti cercano spesso di includere tutto il paesaggio in una sola immagine, ottenendo inquadrature piatte e caotiche.<\/p>\n<p>Le migliori fotografie del Grand Canyon mostrano spesso un frammento dello spazio: strati di roccia, luce che entra nel canyon, nebbia dopo un temporale oppure singole formazioni che si distinguono nell\u2019immensit\u00e0 del paesaggio.<\/p>\n<h3>Canyonlands e Dead Horse Point<\/h3>\n<p>Questi luoghi sono ideali per chi cerca un paesaggio desertico pi\u00f9 aperto. Fotografare anse di fiumi, altopiani rocciosi e spazi desertici richiede una costruzione consapevole del primo piano e un lavoro con le linee guida.<\/p>\n<p>In luoghi di questo tipo il meteo \u00e8 molto importante. Le nuvole dopo un temporale possono trasformare un normale tramonto in una situazione fotografica eccezionale.<\/p>\n<h3>Monument Valley<\/h3>\n<p>Monument Valley \u00e8 uno dei paesaggi pi\u00f9 riconoscibili d\u2019America. I caratteristici buttes rocciosi che emergono dalla pianura desertica creano composizioni estremamente fotogeniche.<\/p>\n<p>Questo luogo funziona particolarmente bene all\u2019alba e al tramonto, quando le lunghe ombre sottolineano lo spazio e la scala del paesaggio.<\/p>\n<h2>Canyon a fessura: i luoghi pi\u00f9 straordinari per la fotografia negli Stati Uniti<\/h2>\n<p>Quando si parla di fotografia paesaggistica nell\u2019Ovest americano, la maggior parte delle persone pensa prima a luoghi come Bryce Canyon, Grand Canyon, Zion, Monument Valley o Canyonlands. Sono i parchi e i punti panoramici pi\u00f9 conosciuti e pi\u00f9 visitati. Tuttavia, per molti fotografi l\u2019esperienza davvero eccezionale \u00e8 rappresentata dagli slot canyons, cio\u00e8 canyon a fessura estremamente stretti, scolpiti dall\u2019acqua nell\u2019arenaria Navajo.<\/p>\n<p>I canyon a fessura hanno un aspetto completamente diverso dai canyon classici. Invece di enormi panorami e spazi aperti, il fotografo lavora qui all\u2019interno della roccia. Passaggi stretti, pareti ondulate, morbidi riflessi di luce e forme astratte rendono la fotografia pi\u00f9 intima e spesso molto pi\u00f9 creativa.<\/p>\n<p>Proprio per questo molti fotografi che visitano l\u2019Ovest americano considerano i canyon a fessura un complemento naturale ai viaggi nei grandi parchi nazionali. I paesaggi monumentali insegnano a lavorare con lo spazio, mentre i canyon a fessura insegnano a lavorare con la luce, il dettaglio e l\u2019astrazione.<\/p>\n<h2>Antelope Canyon: il canyon a fessura pi\u00f9 famoso del mondo<\/h2>\n<p>Lo slot canyon pi\u00f9 riconoscibile \u00e8 senza dubbio Antelope Canyon, vicino alla citt\u00e0 di Page in Arizona. Questo luogo \u00e8 diventato un\u2019icona della fotografia paesaggistica grazie alle straordinarie forme dell\u2019arenaria, alle caratteristiche pareti ondulate e ai celebri raggi di luce che entrano all\u2019interno del canyon in determinati momenti della giornata.<\/p>\n<p>Antelope Canyon si divide in due sezioni principali: Upper Antelope Canyon e Lower Antelope Canyon. Upper Antelope \u00e8 pi\u00f9 largo, pi\u00f9 accessibile e noto soprattutto per gli spettacolari fasci di luce che compaiono nella stagione estiva. Lower Antelope Canyon \u00e8 pi\u00f9 stretto, visivamente pi\u00f9 dinamico e spesso offre maggiori possibilit\u00e0 per fotografare in modo creativo forme rocciose astratte.<\/p>\n<p>Per molti fotografi il primo ingresso ad Antelope Canyon \u00e8 un momento di sorpresa. Le fotografie mostrano la bellezza di questo luogo, ma non restituiscono pienamente il modo in cui la luce si riflette sulle pareti di arenaria e cambia i colori dell\u2019interno quasi minuto dopo minuto. Purtroppo, da alcuni anni non vengono pi\u00f9 organizzate visite fotografiche speciali ad Antelope Canyon.<\/p>\n<h2>Fotografia astratta nei canyon a fessura<\/h2>\n<p>Una delle caratteristiche pi\u00f9 interessanti degli slot canyons \u00e8 la possibilit\u00e0 di realizzare immagini quasi astratte. In molti punti \u00e8 difficile riconoscere subito la scala della scena fotografata. Pareti ondulate, morbide transizioni di colore, linee scavate dall\u2019acqua e luce riflessa dall\u2019arenaria creano immagini che ricordano la pittura o la grafica.<\/p>\n<p>In luoghi di questo tipo un teleobiettivo pu\u00f2 essere importante quanto un grandangolare. Invece di mostrare l\u2019intero canyon, si possono isolare frammenti di roccia, dettagli di luce e disposizioni geometriche di linee.<\/p>\n<p>Quando si fotografano gli slot canyons, vale la pena rallentare. Le inquadrature pi\u00f9 interessanti spesso non si trovano alla fine del sentiero, ma a pochi passi dal punto in cui passano tutti i visitatori.<\/p>\n<h2>La luce all\u2019interno dei canyon a fessura<\/h2>\n<p>Gli slot canyons sono una lezione eccellente di osservazione della luce. A differenza dei paesaggi aperti, qui la luce molto raramente cade direttamente sulla scena fotografata. La maggior parte dell\u2019illuminazione \u00e8 luce riflessa dalle pareti di arenaria.<\/p>\n<p>Grazie a questo, gli interni dei canyon hanno una plasticit\u00e0 straordinariamente morbida. I colori passano dall\u2019arancione al rosso, fino ai viola e agli azzurri freddi nelle parti in ombra delle rocce. Nel giro di pochi minuti il carattere della luce pu\u00f2 cambiare completamente.<\/p>\n<p>I pi\u00f9 famosi raggi di luce nell\u2019Upper Antelope Canyon compaiono solo con la giusta posizione del sole e condizioni atmosferiche favorevoli. Proprio questi raggi hanno reso il luogo uno dei canyon pi\u00f9 fotografati al mondo.<\/p>\n<h2>Le sfide fotografiche nei canyon a fessura<\/h2>\n<p>Anche se i canyon a fessura sembrano creati per la fotografia, sono anche tecnicamente impegnativi, e spesso anche fisicamente. Il fotografo lavora con un contrasto molto forte tra il cielo luminoso e l\u2019interno scuro del canyon. Spesso \u00e8 necessario fotografare in RAW e controllare l\u2019esposizione in modo consapevole.<\/p>\n<p>Polvere e sabbia sono un\u2019ulteriore sfida. In molti canyon non conviene cambiare spesso obiettivo. La polvere sollevata dal vento entra facilmente nell\u2019attrezzatura fotografica.<\/p>\n<p>Vale anche la pena ricordare che le regole per fotografare cambiano insieme ai regolamenti degli operatori turistici e dei territori Navajo. In alcuni luoghi l\u2019uso dei treppiedi \u00e8 limitato o vietato.<\/p>\n<h2>Non solo Antelope Canyon<\/h2>\n<p>Sebbene Antelope Canyon sia il pi\u00f9 noto, i dintorni di Page in Arizona offrono molto di pi\u00f9. Nella regione si trovano molti canyon a fessura meno popolari, che permettono di fotografare in condizioni pi\u00f9 tranquille e spesso senza le folle tipiche delle localit\u00e0 pi\u00f9 famose.<\/p>\n<p>Per i fotografi di paesaggio questo \u00e8 particolarmente interessante, perch\u00e9 i canyon meno conosciuti consentono di lavorare pi\u00f9 lentamente e in modo pi\u00f9 consapevole. In luoghi simili \u00e8 pi\u00f9 facile concentrarsi sulla composizione, sulla luce e sul proprio modo di vedere, invece che lottare per un posto dove sistemare il treppiede.<\/p>\n<h2>La luce nei canyon degli Stati Uniti<\/h2>\n<p>L\u2019elemento pi\u00f9 importante della fotografia paesaggistica nei canyon degli Stati Uniti \u00e8 la luce. Durante il giorno, il sole del deserto pu\u00f2 essere molto duro e contrastato. Per questo le migliori fotografie nascono di solito all\u2019alba, al tramonto o subito dopo un temporale.<\/p>\n<p>Vale la pena osservare non solo il tramonto stesso, ma anche la luce dopo il tramonto. Spesso \u00e8 proprio allora che le rocce mantengono un colore caldo, mentre il contrasto tra cielo e terra diventa pi\u00f9 morbido.<\/p>\n<p>I canyon reagiscono bene anche alla copertura nuvolosa parziale. Le nuvole possono creare ombre drammatiche, sottolineare la struttura delle rocce e aggiungere profondit\u00e0 al paesaggio.<\/p>\n<h2>Meteo e pianificazione fotografica<\/h2>\n<p>Il meteo nell\u2019Ovest americano pu\u00f2 cambiare rapidamente. Temporali, polvere, vento e improvvisi cambi di temperatura fanno parte della fotografia in questa regione.<\/p>\n<p>Una buona fotografia paesaggistica inizia prima di partire sul campo. Vale la pena controllare:<\/p>\n<ul>\n<li>la direzione della luce all\u2019alba e al tramonto,<\/li>\n<li>le previsioni della copertura nuvolosa,<\/li>\n<li>la possibilit\u00e0 di temporali,<\/li>\n<li>le condizioni delle strade,<\/li>\n<li>la visibilit\u00e0 e la trasparenza dell\u2019aria,<\/li>\n<li>il tempo necessario per raggiungere il punto panoramico.<\/li>\n<\/ul>\n<p>Alcune delle migliori fotografie nascono subito dopo il passaggio di un temporale, quando la luce diventa pi\u00f9 drammatica e l\u2019aria pi\u00f9 limpida.<\/p>\n<h2>Composizione nella fotografia dei canyon<\/h2>\n<p>Una delle maggiori sfide nella fotografia dei canyon \u00e8 il caos del paesaggio. I grandi spazi portano facilmente a inquadrature sovraccariche. Per questo \u00e8 molto importante semplificare la composizione.<\/p>\n<p>In pratica significa:<\/p>\n<ul>\n<li>cercare un primo piano forte,<\/li>\n<li>utilizzare linee guida naturali,<\/li>\n<li>lavorare con gli strati del paesaggio,<\/li>\n<li>controllare il rapporto tra cielo e terra,<\/li>\n<li>evitare inquadrature troppo ampie senza un chiaro punto di interesse.<\/li>\n<\/ul>\n<p>A volte \u00e8 meglio mostrare un frammento del paesaggio che cercare di inserire l\u2019intero canyon in una sola fotografia.<\/p>\n<h2>Quale attrezzatura funziona meglio?<\/h2>\n<p>La fotografia paesaggistica nei canyon degli Stati Uniti non richiede un\u2019attrezzatura estremamente complessa, ma alcuni elementi sono particolarmente utili.<\/p>\n<ul>\n<li>una fotocamera con possibilit\u00e0 di scattare in RAW,<\/li>\n<li>un obiettivo grandangolare,<\/li>\n<li>un teleobiettivo per isolare frammenti del paesaggio,<\/li>\n<li>un treppiede stabile,<\/li>\n<li>filtri graduati e ND,<\/li>\n<li>batterie e schede di memoria di riserva,<\/li>\n<li>un panno per rimuovere la polvere dall\u2019obiettivo.<\/li>\n<\/ul>\n<p>Nel deserto la polvere fa parte del lavoro del fotografo. L\u2019attrezzatura richiede una pulizia regolare, e il cambio degli obiettivi con vento forte dovrebbe essere ridotto al minimo.<\/p>\n<h2>Fotografare all\u2019alba e al tramonto<\/h2>\n<p>Le migliori fotografie nei canyon degli Stati Uniti nascono molto spesso quando la maggior parte dei turisti dorme ancora o \u00e8 gi\u00e0 tornata in hotel. Alba e tramonto offrono la luce migliore e un\u2019atmosfera pi\u00f9 tranquilla.<\/p>\n<p>Vale la pena arrivare sul posto in anticipo, per preparare con calma l\u2019attrezzatura e trovare la giusta inquadratura. Le buone fotografie di paesaggio raramente nascono di fretta.<\/p>\n<p>Fotografare all\u2019alba offre anche maggiori possibilit\u00e0 di silenzio e minore affollamento nei punti panoramici pi\u00f9 popolari.<\/p>\n<h2>Perch\u00e9 i workshop fotografici nei canyon degli Stati Uniti sono cos\u00ec preziosi?<\/h2>\n<p>I canyon degli Stati Uniti sono fotograficamente impegnativi. Lo spazio immenso, il forte contrasto della luce e le condizioni variabili rendono facile tornare con molte fotografie che non restituiscono l\u2019atmosfera del luogo.<\/p>\n<p>I workshop fotografici aiutano a capire come lavorare con un paesaggio di questo tipo. I partecipanti imparano a pianificare le sessioni, scegliere la luce, costruire le composizioni e reagire al meteo. Un elemento importante \u00e8 anche l\u2019analisi delle fotografie realizzate sul campo.<\/p>\n<p>La fotografia paesaggistica negli Stati Uniti non \u00e8 solo tecnica. \u00c8 anche pazienza, osservazione e capacit\u00e0 di guardare consapevolmente.<\/p>\n<h2>Gli errori pi\u00f9 comuni durante la fotografia dei canyon<\/h2>\n<ul>\n<li>fotografare esclusivamente nelle ore centrali della giornata,<\/li>\n<li>tentare di mostrare l\u2019intero paesaggio in una sola fotografia,<\/li>\n<li>mancanza di primo piano,<\/li>\n<li>composizione caotica,<\/li>\n<li>cambiare localit\u00e0 troppo rapidamente,<\/li>\n<li>ignorare meteo e luce,<\/li>\n<li>mancanza di preparazione al lavoro in difficili condizioni desertiche.<\/li>\n<\/ul>\n<h2>Fotografia di viaggio e paesaggistica in una sola esperienza<\/h2>\n<p>I canyon degli Stati Uniti sono un luogo ideale per unire fotografia paesaggistica e fotografia di viaggio. Oltre ai parchi nazionali stessi, hanno un ruolo enorme la strada, i motel, le stazioni di servizio nel deserto, le piccole citt\u00e0 e l\u2019atmosfera dell\u2019Ovest americano.<\/p>\n<p>Spesso sono proprio le fotografie che mostrano la relazione tra l\u2019uomo e il paesaggio a costruire il racconto di viaggio pi\u00f9 forte.<\/p>\n<h2>Vedi anche<\/h2>\n<ul>\n<li><a href=\"https:\/\/dfoto.pl\" target=\"_blank\" rel=\"noopener\">dfoto.pl &#8211; fotografie paesaggistiche dagli Stati Uniti e dall\u2019Ovest americano<\/a><\/li>\n<li><a href=\"https:\/\/dfoto.pl\/index.php\/category\/usa\/\" target=\"_blank\" rel=\"noopener\">Gallerie fotografiche USA<\/a><\/li>\n<li><a href=\"https:\/\/dfoto.pl\/index.php\/category\/arizona\/\" target=\"_blank\" rel=\"noopener\">Fotografia dell\u2019Arizona e dei canyon a fessura<\/a><\/li>\n<\/ul>\n<h2>Domande frequenti<\/h2>\n<h3>Quando \u00e8 meglio fotografare i canyon degli Stati Uniti?<\/h3>\n<p>Le condizioni migliori si presentano di solito all\u2019alba e al tramonto. Allora la luce \u00e8 pi\u00f9 morbida, le ombre pi\u00f9 lunghe e i colori delle rocce pi\u00f9 intensi.<\/p>\n<h3>Ho bisogno di attrezzatura professionale?<\/h3>\n<p>No. Comprendere la luce e la composizione \u00e8 pi\u00f9 importante del prezzo dell\u2019attrezzatura. Una fotocamera con modalit\u00e0 manuale e un treppiede sono pienamente sufficienti per imparare.<\/p>\n<h3>Quale obiettivo funziona meglio nei canyon?<\/h3>\n<p>Un obiettivo grandangolare \u00e8 molto utile per i grandi paesaggi, ma anche un teleobiettivo \u00e8 importante, perch\u00e9 permette di isolare frammenti di roccia e strati del paesaggio.<\/p>\n<h3>Perch\u00e9 gli slot canyons sono cos\u00ec popolari nella fotografia?<\/h3>\n<p>I canyon a fessura offrono una luce straordinaria, forme astratte e colori eccezionali dell\u2019arenaria. Sono luoghi ideali per una fotografia paesaggistica pi\u00f9 creativa e intima.<\/p>\n<h3>Il meteo ha molta importanza?<\/h3>\n<p>S\u00ec. Nuvole, temporali e luce dopo la pioggia creano molto spesso le migliori condizioni fotografiche. Un cielo perfettamente limpido non offre sempre le immagini pi\u00f9 interessanti.<\/p>\n<h3>Perch\u00e9 vale la pena fotografare i canyon con una guida fotografica?<\/h3>\n<p>Una buona guida aiuta a scegliere le migliori localit\u00e0, prevedere la luce, evitare errori tipici e sfruttare meglio il tempo sul campo. Grazie a questo i partecipanti possono lavorare sulle proprie fotografie in modo pi\u00f9 consapevole.<\/p>\n<h2>Riepilogo<\/h2>\n<p>La fotografia paesaggistica nei canyon degli Stati Uniti \u00e8 una combinazione di luce, spazio, geologia e pazienza. Sono tra i paesaggi pi\u00f9 fotogenici del mondo, ma anche luoghi che richiedono un approccio consapevole alla composizione e alla pianificazione.<\/p>\n<p>Le migliori fotografie l\u00ec non nascono per caso. Sono il risultato dell\u2019osservazione della luce, della conoscenza del luogo e della disponibilit\u00e0 a lavorare quando il paesaggio mostra il suo carattere pi\u00f9 interessante. Proprio per questo fotografare i canyon degli Stati Uniti rimane per molti fotografi una delle esperienze paesaggistiche pi\u00f9 stimolanti.<\/p>\n<\/article>","protected":false},"excerpt":{"rendered":"<p>I canyon dell\u2019Ovest americano appartengono ai luoghi pi\u00f9 spettacolari al mondo per la fotografia paesaggistica. Pareti rocciose monumentali, luce del deserto, spazi immensi e una geologia straordinaria fanno s\u00ec che [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":21995,"menu_order":15,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"class_list":["post-22128","page","type-page","status-publish","hentry"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"ticketed":false,"_links":{"self":[{"href":"https:\/\/eclipses.eu\/index.php\/wp-json\/wp\/v2\/pages\/22128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eclipses.eu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/eclipses.eu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/eclipses.eu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eclipses.eu\/index.php\/wp-json\/wp\/v2\/comments?post=22128"}],"version-history":[{"count":1,"href":"https:\/\/eclipses.eu\/index.php\/wp-json\/wp\/v2\/pages\/22128\/revisions"}],"predecessor-version":[{"id":22148,"href":"https:\/\/eclipses.eu\/index.php\/wp-json\/wp\/v2\/pages\/22128\/revisions\/22148"}],"up":[{"embeddable":true,"href":"https:\/\/eclipses.eu\/index.php\/wp-json\/wp\/v2\/pages\/21995"}],"wp:attachment":[{"href":"https:\/\/eclipses.eu\/index.php\/wp-json\/wp\/v2\/media?parent=22128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}